Connection 2 by Bob Callender


. Giclee on Canvas - Signed & Numbered
Dimensions: 18.75 x 60
Release Date: 5-2013
Code: BCA013GISNU1960
Edition Size: 95
Issue Price: $495.00

Quantity:  


. Giclee on Paper - Signed & Numbered
Dimensions: 18.75 x 60
Release Date: 5-2013
Code: BCA013GPSNU1960
Edition Size: 95
Issue Price: $395.00

Quantity:  


. Giclee on Canvas - Signed & Numbered
Dimensions: 12.5 x 40
Release Date: 5-2013
Code: BCA013GISNU1340
Edition Size: 250
Issue Price: $225.00

Quantity:  


. Giclee on Paper - Signed & Numbered
Dimensions: 12.5 x 40
Release Date: 5-2013
Code: BCA013GPSNU1340
Edition Size: 250
Issue Price: $195.00

Quantity:  


. Giclee on Canvas - Signed & Numbered
Dimensions: 9.5 x 30
Release Date: 5-2013
Code: BCA013GISNU1030
Edition Size: 350
Issue Price: $135.00

Quantity:  


. Giclee on Paper - Signed & Numbered
Dimensions: 9.5 x 30
Release Date: 5-2013
Code: BCA013GPSNU1030
Edition Size: 350
Issue Price: $95.00

Quantity:  


. Giclee on Canvas, Open Edition Signed
Dimensions: 5.5 x 18
Release Date: 5-2013
Code: BCA013GISON0618
Edition Size: Open
Issue Price: $75.00

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. Digital Open Paper, Signed
Dimensions: 5 x 16
Release Date: 5-2013
Code: BCA013PRSON0516
Edition Size: Open
Issue Price: $55.00

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Tell Me More

"Connection 2," the companion piece to "Connection," shows the playful interaction of light as the fluids used for drilling oil wells escapes the "kelly"* and splashes down to the rig floor.



*"Kelly":  a flexible, high-pressure hose and a crucial component facilitating the flow of drilling fluid.  The name "kelly" is derived from the machine shop in which the first kelly was made in Kellysburg, PA.

About The Artist


As a native of West Texas, Bob Callender was used to the daily sight of the various oilfield operations that fuel the Texas lifestyle. As the youngest child in a family of 10 children, Bob was also personally acquainted with the oilfield life watching his father and older brothers work hard to earn a living. From the time Bob was a young child he had a strong passion for photography. As his skills progressed, he was able to create surrealism in any subject matter he photographed. Being so closely associated with the West Texas oilfield scene, it was only natural that Bob would soon turn his creative eye to what was nearest and most familiar to him and turn it into an art form. Using high dynamic range photography and photographic manipulation Bob is able to capture the essence and beauty of the rigs and any associated equipment using explosive color and dynamic skies that are unlike anywhere else in the country.

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