Life is Just a Bowl of Cherries by Susan Blackwood


. Giclee on Canvas - Artist Proof
Dimensions: 20 x 24
Release Date: 7-2010
Code: SBL002GIAPR2024
Edition Size: 15
Issue Price: $225.00

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. Giclee on Canvas - Signed & Numbered
Dimensions: 20 x 24
Release Date: 7-2010
Code: SBL002GISNU2024
Edition Size: 195
Issue Price: $195.00

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. Giclee on Paper - Artist Proof
Dimensions: 20 x 24
Release Date: 7-2010
Code: SBL002GPAPR2024
Edition Size: 50
Issue Price: $150.00

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. Giclee on Paper - Signed & Numbered
Dimensions: 20 x 24
Release Date: 7-2010
Code: SBL002GPSNU2024
Edition Size: 500
Issue Price: $125.00

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. Giclee on Canvas, Open Edition Signed
Dimensions: 11 x 14
Release Date: 7-2010
Code: SBL002GISON1114
Edition Size: Open
Issue Price: $90.00

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. Giclee on Canvas, Open Edition
Dimensions: 11 x 14
Release Date: 7-2010
Code: SBL002GIUSN1114
Edition Size: Open
Issue Price: $65.00

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. Digital Open Print, Signed
Dimensions: 11 x 14
Release Date: 7-2010
Code: SBL002PRSON1114
Edition Size: Open
Issue Price: $35.00

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. Digital Open Print
Dimensions: 11 x 14
Release Date: 7-2010
Code: SBL002PRUSN1114
Edition Size: Open
Issue Price: $30.00

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Tell Me More


This adorable little girl sits in a quiet corner at a table pulling stems from cherries.  Taking time out to be mother's helper, this little one enjoys her chores.  After all, "Life is Just a Bowl of Cherries" in her young world.
DF

About The Artist




Pakistan 1975: in the midst of a clambering market place, unable to speak the language...I became aware of the importance of the common bonds that universally unite us all. The necessity to communicate these visions, feelings and emotions became paramount. Art became my language.

I have chosen as my subject matter the simple, beautiful touching moments that are common both in nature and in the life of every person. These are the moments that often pass without notice and are the very ones that lend continuity to our lives and contribute to its richness and depth. These moments are the language I use when I paint.

As in any meaningful conversation, the structure of the message must be clear. Thus, my color, brush strokes, textures and composition are carefully chosen, like essential words, to convey to the viewer the message that I wish to impart. My studies of classical art techniques began when I was a child and will always continue as I strive for better clarity and higher achievement.

As words are carefully chosen for a poem, I, too, limit my brush strokes and detail to relay just enough to give the viewer my thoughts and involve their imagination. I purposely leave areas of my paintings in mystery for the viewer to become engaged in the story. I strive for each painting to be a poem rather than a novel. Some of my loose paintings are like haiku poems that are simple impressionistic vignettes. While some of my paintings are like sonnets, more spelled out in detail. Through the medium that I have chosen, I strive continually to develop a rich and colorful dialog in a language that will reach the heart. Susan won Best of Show 2010 at the American Women Artists National Exhibition held in Dallas.


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