Back in Black 2 by Bob Callender


. Giclee on Canvas - Signed & Numbered
Dimensions: 40 x 60
Release Date: 5-2013
Code: BCA006GISNU4060
Edition Size: 95
Issue Price: $895.00

Quantity:  


. Giclee on Paper - Signed & Numbered
Dimensions: 40 x 60
Release Date: 5-2013
Code: BCA006GPSNU4060
Edition Size: 95
Issue Price: $795.00

Quantity:  


. Giclee on Canvas - Signed & Numbered
Dimensions: 24 x 36
Release Date: 5-2013
Code: BCA006GISNU2436
Edition Size: 250
Issue Price: $325.00

Quantity:  


. Giclee on Paper - Signed & Numbered
Dimensions: 24 x 36
Release Date: 5-2013
Code: BCA006GPSNU2436
Edition Size: 250
Issue Price: $295.00

Quantity:  


. Giclee on Canvas - Signed & Numbered
Dimensions: 16 x 24
Release Date: 5-2013
Code: BCA006GISNU1624
Edition Size: 350
Issue Price: $195.00

Quantity:  


. Giclee on Paper - Signed & Numbered
Dimensions: 16 x 24
Release Date: 5-2013
Code: BCA006GPSNU1624
Edition Size: 350
Issue Price: $175.00

Quantity:  


. Giclee on Canvas, Open Edition Signed
Dimensions: 12 x 18
Release Date: 5-2013
Code: BCA006GISON1218
Edition Size: Open
Issue Price: $75.00

Quantity:  


. Digital Open Paper, Signed
Dimensions: 10.5 x 16
Release Date: 5-2013
Code: BCA006PRSON1116
Edition Size: Open
Issue Price: $55.00

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Back in Black 2 Notecards
     

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Tell Me More

The life of a pump jack is a lonely one lived out in the elements and harsh weather, and sometimes can result in the machine itself becoming Mother Nature's canvas.  The colors that appear from exposure have been saturated and enhanced to create a work of art from nature's palette.

About The Artist


As a native of West Texas, Bob Callender was used to the daily sight of the various oilfield operations that fuel the Texas lifestyle. As the youngest child in a family of 10 children, Bob was also personally acquainted with the oilfield life watching his father and older brothers work hard to earn a living. From the time Bob was a young child he had a strong passion for photography. As his skills progressed, he was able to create surrealism in any subject matter he photographed. Being so closely associated with the West Texas oilfield scene, it was only natural that Bob would soon turn his creative eye to what was nearest and most familiar to him and turn it into an art form. Using high dynamic range photography and photographic manipulation Bob is able to capture the essence and beauty of the rigs and any associated equipment using explosive color and dynamic skies that are unlike anywhere else in the country.

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